The Great Beauty – Wikipedia

The Great Beauty ( italian : La grande bellezza [ la ˈɡrande belˈlettsa ] ) is a 2013 italian art drama film co-written and directed by Paolo Sorrentino. Filming took place in Rome starting on 9 August 2012. It premiered at the 2013 Cannes Film Festival where it was screened in competition for the Palme d’Or. [ 3 ] It was shown at the 2013 Toronto International Film Festival, [ 4 ] the 2013 Tallinn Black Nights Film Festival ( winning Grand Prix ), and at the 2013 Reykjavik European Film Festival. The film won Best Foreign Language Film at the 86th Academy Awards, [ 5 ] arsenic well as the Golden Globe and the BAFTA award in the lapp category. It is a co-production between the italian Medusa Film and Indigo Film and the french Babe Films, with hold from Banca Popolare di Vicenza, Pathé and France 2 Cinéma. [ 6 ] [ 7 ] With a production budget of €9.2 million, the film has so far grossed over $ 24 million worldwide.

plot [edit ]

The film opens with a quote from Céline ‘s Journey to the End of the Night : “ Travel is useful ; it exercises the imagination. All the rest is disappointment and tire. Our travel is entirely complex number. That is its potency. It goes from life to death. People, animals, cities, things — all are imagined. It ‘s a fresh, good a assumed narrative. Littré says so, and he ‘s never faulty. And besides, in the beginning place, anyone can do arsenic much. You just have to close your eyes. It ‘s on the other side of animation. ” [ 8 ] [ 9 ] [ 10 ] [ 11 ] [ 12 ] Jep Gambardella is a 65-year-old season journalist and dramaturgy critic, a capture valet, largely committed to wandering among the social events of a Rome immersed in the beauty of its history and in the superficiality of its inhabitants today, in a merciless contrast. He besides ventured into creative write in his youth : he is the author of alone one sour called The Human Apparatus. Despite the appreciation and the many awards he received, Gambardella has not written other books, not only for his indolence but above all for a creative parry from which he can not escape. The determination of his being has been to become a “ socialite, ” but not equitable any socialite, but “ the king of company. ” Jep is surrounded by respective friends : Romano, a dramatist who is perpetually on the three of a young woman who exploits him ; Lello, a mouthy and affluent miniature seller ; Viola, a affluent bourgeois and mother of a son with good mental problems named Andrea who will commit suicide by crashing voluntarily with his car ; Stefania, a egoistic revolutionary chic writer ; Dadina, the dwarf editor program of the newspaper where Jep works. One good morning, he meets the husband of Elisa, a woman who has been Jep ‘s inaugural and credibly alone love : the man announces that Elisa has died, leaving behind only a diary in which the womanhood tells of her love for Jep ; thus, her husband discovered that he had been a mere surrogate for 35 years, nothing more than “ a commodity companion. ” Elisa ‘s conserve, now afflicted and grieved, will soon find consolation in the affectionate welcome of his foreign maid. After this episode, Jep begins a profound and melancholy reinterpretation of his animation and a retentive meditation on himself and on the world around him. And, above all, he thinks about starting to write again. During the take after days, Jep meets Ramona, a stripper with afflictive secrets, and Cardinal Bellucci, in whom the passion for cook is more animated than his catholic religion ; Jep is gradually convinced of the futility and inutility of his universe. Soon his “ poisonous r-2 ” besides breaks down : common sage, with whom he had established an innocent and profound relationship, dies of an incurable disease ; Romano, disappointed by the deceptive attractiveness of Rome, leaves the city, farewelling alone Jep ; Stefania, humiliated by Jep, who had revealed her secrets and her lies to her face, left Jep ‘s blase r-2 ; Viola, on the other bridge player, after the death of her son, donates all her possessions to the Church and becomes a missionary in Africa. merely when hopes seem to abandon Jep once and for all, he is saved by a fresh episode : after a meeting, pushed by Dadina, who wants to get an interview with a “ saint, ” a Catholic missionary conical buoy in the Third World, Jep goes to Giglio Island to report on the shipwreck of the Costa Concordia. And right here, remembering his beginning merging with Elisa in a flashback, a gleam of promise rekindles in him : his following novel is ultimately quick to come to light.

cast [edit ]

music [edit ]

reception [edit ]

The review collector web site Rotten Tomatoes reported a 91 % blessing rat, based on 132 reviews, with a leaden median rating of 8.00/10. The web site ‘s critical consensus states, “ dazzlingly ambitious, beautifully filmed, and thoroughly enthralling, The Great Beauty offers virtuoso filmmaking from writer/director Paolo Sorrentino. ” [ 15 ] The film holds a score of 86/100 on Metacritic based on 34 reviews, signifying “ cosmopolitan applaud. ” [ 16 ] Robbie Collin at The Daily Telegraph awarded Sorrentino ‘s film the maximum five stars and described it as “ a shimmer coup de cinema ”. He likened it to Roberto Rossellini ‘s Rome, Open City and Federico Fellini ‘s La Dolce Vita in its ambition to record a period of Roman history on film. “ Rossellini covered the Nazi occupation of 1944 ; Fellini the seductive, evacuate hedonism of the years that followed. Sorrentino ‘s plan is to do the same for the Berlusconi era, ” he wrote. [ 17 ] Deborah Young of The Hollywood Reporter stated “ Sorrentino ‘s imagination of moral chaos and disorder, apparitional and emotional emptiness at this consequence in time is even darker than Fellini ‘s ( though Ettore Scola ‘s The Terrace surely comes in somewhere ). ” [ 18 ] Critics have besides identified other purposefully explicit movie homages : to Roma, 8½, [ 19 ] Scola ‘s Splendor, [ citation needed ] Michelangelo Antonioni ‘s La notte. [ 20 ] spanish film director Pedro Almodóvar named the film as one of the twelve best films of 2013, placing it second in his list. [ 21 ] In 2016, the film was ranked among the 100 greatest films since 2000 in an external critics poll by 177 critics around the universe. [ 22 ] It is presently director Paolo Sorrentino ‘s second highest rated film on Rotten Tomatoes. [ 23 ]

Film critics ‘ top lists [edit ]

assorted critics named the film as one of the best of 2013 .

Recognitions [edit ]

See besides [edit ]

References [edit ]